Apr
5
to May 11

CLOSER TO ILLUSION

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CLOSER TO ILLUSION

A group exhibition curated by Luana Hildebrandt

Bas Jan Ader, Yifan Jiang, Christiane Lyons, Ben Wolf Noam, Joe Reihsen, Aura Rosenberg, Adam Saks, Areum Yang

Meliksetian Briggs Gallery is pleased to present "Closer to Illusion”, a group exhibition curated by Luana Hildebrandt, featuring works by Bas Jan Ader, Yifan Jiang, Christiane Lyons, Ben Wolf Noam, Joe Reihsen, Aura Rosenberg, Adam Saks, and Areum Yang. On view from April 5th through May 11th, 2024, at the gallery’s location at 150 Manufacturing Street, Dallas, the exhibition brings together painting, sculpture and works on paper from a diverse group of artists that explore the universal nature of human experience and contemplate on the nuanced interplay between illusion and reality.

The works in the exhibition serve as portals into the human psyche, revealing our innate proclivity to construct narratives in response to life's labyrinthine complexities. Whether seeking solace amidst nature's bountiful embrace, or finding refuge within the architectural sanctuaries of our own creation, the emotional landscapes depicted in these pieces bear witness to our capacity to transmute the ordinary into the extraordinary.

The exhibition “Closer to Illusion” serves as a catalyst for contemplation, inviting viewers to reflect on the profound role of fantasy in our daily lives—a beacon of resilience amidst the tempestuous seas of reality. Through the discerning eyes of the artists included in the show, the delicate dance between the natural and the fabricated unfolds, mirroring our collective odyssey and offering comfort in the profound reflections and poignant questions posed by art's timeless allure.

Bas Jan Ader was a Dutch American conceptual artist, who is  considered today one of the most significant and influential artists of his generation. His practice evokes with poetic melancholy the fleeting beauty of human condition and the quest for meaning in the face of uncertainty. His iconic work, "In Search of the Miraculous," involved his solo voyage across the Atlantic Ocean in a small sailing boat, a journey that ultimately ended in his disappearance at sea in 1975. This tragic event has since become inseparable from Ader's artistic legacy, imbuing his work with a haunting poignancy. Beyond his iconic voyage, Ader's early works, including paintings, drawings, prints and collages trace his evolution from Modernist influences to his pioneering embrace of conceptual art in the late 1960s. With minimalist gestures and subtle interventions, Ader created playful illusions between the external world and the inner realm of the psyche. His creative trajectory challenged the conventions of his time, inspiring generations of artists and sealing his status as a seminal figure in contemporary art history.

Yifan Jiang is an emerging Chinese Canadian artist based in New York City. Her thought-provoking ethereal compositions, ranging from painting, to sculpture and animation, transport us to a realm where dreams and reality intertwine, inviting us to journey into surreal landscapes of the mind and explore the depths of our subconscious. With her masterful craftsmanship, Jiang navigates the delicate balance between light and shadow with each brushstroke, unravelling the transformative power of illusion in the mysteries hidden within the recesses of our collective consciousness.

Christiane Lyons lives and works in San Francisco. Her practice is marked by a profound exploration of painting processes and the appropriation of imagery to challenge existing meanings and perceptions. Drawing inspiration from artists like Pablo Picasso and Hans Bellmer, who manipulated and reconstructed the female body, Lyon brings in a distinctively feminine perspective, shows women’s objectification throughout art history and culture while at the same time, attempts to break this cycle by imbuing the figures with subjectivity. This distortion manifests by using found images of multiple women's bodies to create one figure in each painting. She appropriates from image searches, culling material from ssocial media to fashion photography, because she believes these representations of women have a universal influence on women worldwide, from all cultures and of all ages. Through this, Lyon metaphorically addresses the contemporary woman's struggle within a culture fixated on appearances and an unattainable illusion of perfection. 

Ben Wolf Noam lives and works in Los Angeles and New York. His whimsical paintings and sculptures challenge our perceptions of space and time, inviting us to question the boundaries that define our reality. Noam interprets the classical genre of landscape painting through a surrealist collapse of time and space, material and illusionism, with a nod towards contemporary sensory experience. Noam's interpretation of mushrooms goes beyond mere replication; he infuses them with a sense of magic that breathes life into the sculptural through his tableau of colors. Their organic shapes evoke a connection to the natural world, while the color palette hints at the mysteries and illusions they can play of the human mind. 

Joe Reihsen lives and works in Los Angeles. His paintings are enigmatic abstractions that beckon viewers into a world where textures, shapes and colors converge, capturing collisions between surface and the layers beneath. Reihsen’s canvases combine motion with a heavy stillness, inviting contemplation on the fluidity of perception and the transformative power of abstract expression. In his most recent works, Reihsen uses water-based pigments to embed the physical properties of nature into the surface of the canvas, allowing the water to splash and pool according to the forces of gravity and the tension between liquid and fiber. The sheer deposits of color form a topography of islands, fault lines and other abstracted landmasses for the artist to either follow or traverse with his brush. Reihsen’s creative methods push the boundaries of surface, color, and the malleability of paint as a medium, balancing harmonious shapes and color compositions with a subtle tension that epitomizes the intriguing interplay of optics and illusion. 

Aura Rosenberg lives and works in New York City and Berlin. Her painting explores desire, intimacy, and the commodification of sexuality in contemporary culture. Through imagery drawn from the world of pornography, Rosenberg challenges taboos and confronts viewers with a vision of human sexuality that is both raw and highly mediated. By recontextualizing pornographic imagery within the sphere of fine art, her work reminds us that eroticism has historically always been an essential element of art. By delving into the complexities of desire, her work invites us to examine our deepest fears and desires, our preconceptions and prejudices through illusions,. It reminds us of the complex truths that often lurk beneath the surface of our sexual identities. 

Adam Saks is a Danish artist who lives and works in Berlin. Known for his captivating explorations of existentialism, Saks employs a unique blend of visual symbolism and surrealism in his works. Through his intricate brushwork and evocative imagery, he engages viewers in thought-provoking introspection and contemplation on the intricate interplay between illusion and reality. Adam Saks creates a structure of metaphors through figurative elements with his own compositional system. A painting process with various approaches to applying colors, in which elements are organically placed on canvas, some levitating and creating their own order in nature, others geometrically shaped through lyrical abstraction.

 Areum Yang is an emerging artist born in South Korea who lives and works in New York City. Deftly rendered with a mixture of raw and painterly gestures, Yang’s vivid, introspective portraits exist within anthropomorphic landscapes or surreal interiors. She visualized her emotional state through paintings, combining dry and wet materials to create expressionistic compositions.  Figures, coarsely rendered in pencil or charcoal, contrast with backdrops painted with colorful, improvisational mark-making. Yet, at moments, the boundaries are blurred, and subject and atmosphere become one.“I am trying to structure experience without pinpointing,” writes Yang.  As such, there is an ambiguity in her compositions, which allows them to function as both representations of her inner life and more universal storytelling.

Text by Luana Hildebrandt

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Oct
29
to Jan 15

TRAVEL GUIDE

TRAVEL GUIDE is a group exhibition curated by Luana Hildebrandt and brings together works from 19 European painters: Teodora Axente, Marius Bercea, Radu Băieș, Răzvan Boar, Zsolt Bodoni, Alin Bozbiciu, Cornel Brudascu, Mircea But, Oana Farcas, Remus Grecu, Adela Janska, Jiri Marek, Cătălina Milea, Justin Mortimer, Mirela Moscu, Attila Szucs, Alexander Tinei, Sergiu Toma, Bogdan Vlăduța

TRAVEL GUIDE opens a dialogue on the practice of painting, between artists of different backgrounds and generational affiliations, and invites the viewer to reflect on the collective mind-flow of our times, in this ongoing period of uncertainty and significant change. The exhibition’s title is a straightforward proposition towards exploration, through figurative iterations, of the organic effects of our experience with the mundane: whether it’s the representational depiction of the physical space or just fragmentary analysis on thoughts, sensations, emotions or expressions. For some of the artists in this exhibition, the act of prolonged immersion in their familiar surroundings and the camaraderies formed with the people in their nearest environment become the focus of their practice. For other artists the natural and urban worlds are replaced by excursions into parallel universes with eerie creatures governed by allegorical rituals.

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May
26
to Sep 12

SHAGHA ARIANNIA - IT'S A DATE

Meliksetian | Briggs is pleased to present It’s a Date, an exhibition of new paintings by Los Angeles-based artist Shagha Ariannia. The exhibition is organized by Luana Hildebrandt and marks the artist’s first solo exhibition at the gallery.

In this new body of work, the multidisciplinary artist Shagha Ariannia continues to engage in the political paradigm present in her earlier video installations, choosing, this time, to examine the politics of the body. Stemming from ideas drawn from a collection of literary texts layered over the artist’s personal intimate framework, this new series of paintings form a non sequitur narrative, the artist’s own collection of dispersed experiences that reflect upon the female body and its desires in relation to culturally encoded power dynamics.

Born and raised in Iran, a country with a rich poetic tradition, Ariannia’s artistic interests were rooted early on in poetry and language. Influenced by her permanent move to Los Angeles in 2001, Ariannia’s practice makes use of the process of translation as a way to playfully evoke the stark contrasts between the two cultures.

The artist chooses to title each work in the exhibition with a verse reminiscent of Kathy Acker’s Persian Poems, a feminist literary work that takes a stance on poetic license and its use as a form of cultural censorship. In the painting a chair and a room and a window and a window and a window and a window, 2020, Ariannia alludes to one of Acker’s poems, in which, via the process of purposeful mistranslation from English to Farsi, the message is depleted of any sexual connotation.

The meaning is altered completely, each body part translated to an object. Mimicking the same juxtaposition of the two texts, the exhibition provocatively places raw moments of eroticism next to depictions of interiors, pointing out how sexuality is culturally expressed or repressed. Throughout the exhibition, forms fluidly morph into one another: spreading legs become an open book, a rug becomes a leg, in a game of free association. In contrast, the painting It’s a Date, 2020, produced recently during quarantine, interrupts this interplay, humorously filtering our current times: social distancing from personal desires.

Text by Luana Hildebrandt, May 2020

Born and raised in Iran, Shagha Ariannia (b.1984) is an interdisciplinary visual artist. Her works have been exhibited at the Vincent Price Art Museum, Los Angeles, the University of California, Irvine; LAXART, Los Angeles; 18th Street Art Center, Santa Monica; Commonwealth and Council, Los Angeles; the Torrance Art Museum, Torrance, CA, Galerie der Hochschule, Braunschweig, Germany and Gallery MOMO, Cape Town. She received her Master of Fine Arts from the California Institute of the Arts / CalArts and Bachelor of Arts from the University of California, Irvine. She is a 2016 recipient for the California Community Foundation Fellowship.

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Mar
13
to Apr 10

A HARMONIOUS MIX OF OBJECTS

“A Harmonious Mix of Objects” is a group exhibition curated by Luana Hildebrandt at Nicodim Gallery, Los Angeles, 2010, featuring Shio Kusaka / Michael Brown / Jason Kraus / Chris Lipomi / Miklos Onucsan / Tia Pulitzer / Neal Rock / Torbjorn Vejvi. It is the first exhibition of artist Shio Kusaka in Los Angeles.

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